Music Meets Drama

  Carnegie Hall sits on the corner of 57 th Street and 7 th Avenue in New York City.   B uilt in 1891 the hall continues to be a center piece of the city’s musical life to this day.   There are a myriad of great classical musicians’ spirits hovering around that venerable stage where they once performed.     Only classical musicians?  NO!  Carnegie Hall has hosted fund raisers for orphans, peace concerts, Broadway shows done in concert format, jazz concerts, international peace and political action lectures.    On April 5, 1918 the outer lobby of this revered space was decked out with banners and a poster of Uncle Sam.   Over the stage hung posters for the national war savings campaign and a picture of large guns and fighting men which stated, “These boys are giving their lives will you lend your quarters?” Another poster encouraged women of America to save their country.   What was the occasion?   The world famous cont...

Please click on the link below to read a recently published article I wrote for the Association of Canadian Women Composers Fall/Winter Journal.   Entitled, "For the Love of Two Countries", the article focuses on the music Gena Branscombe wrote for her country of birth, Canada, and her adopted country, the United States.   Her song settings and her oratorio, Pilgrims of Destiny  allow her to share her dedication to and love of both countries.   When the journal opens in your browser, scroll down to page 5.  Enjoy! https://acwcweb.files.wordpress.com/2018/12/acwc-afcc-journal-fall-winter-issue-2018.pdf Composer Gena Branscombe #BringingBackBranscombe

Just four days after the events of September 11, 2001, Martin and I had a recording session.  It was an arduous two hours as we were changing microphones, repositioning microphones as well as changing where I would stand.  Then we dealt with various other technical glitches that had to be fixed.  As the session drew to a close we had not recorded what had been planned for the day.  David Smith, our recording engineer, called up from the booth to suggest we record one more song before calling it a day. Looking through our prepared songs, I chose the shortest one, “Dear Lad O’Mine.”  Martin found his copy, I positioned my sheet music on the music stand preparing to begin recording, when we heard David say from the booth, “oh, my.”  David had read the first line of the poetry, “War gods have descended, the world burns up in fine.”  Oh, my, indeed.  Strong words, strong musical setting and an emotional connection to what had forever cha...

Now we return to the history of my Gena Branscombe Project. With a few fantastic diversions for performances in Texas and Georgia, plus the purchase of Gena’s sheet music, we revisit the development of my CD and one-woman show. Martin and I continued recording throughout mid to late 2001. Sessions were intense yet with the support of wonderful Martin and our recording engineer David Smith we continued to make progress. One session during this time comes to mind. Just four days after the events of 9/11 here in New York City, we were scheduled to record. I seriously thought about cancelling our reserved time in the studio yet thought better of it as we needed to move forward. Saturday, September 15, 2001 was a particularly arduous recording session. We were trying new microphone placements in relation to the piano to get a better balance and sound. Maybe a small piece of carpet under my feet would help, maybe the piano needed to be closer, maybe a different microphone would ...