Friday, December 28, 2012

The Gift of Emily Dickinson

Friends will surprise you with the most wonderful, thoughtful gifts.  During a visit with Ina Torton, friend, massage therapist extraordinaire and real estate agent, she handed me a beautiful volume of Emily Dickinson poems. 

Gold lettering, white lilies with gold stems and a bee on a turquoise blue cloth cover.  Beautiful, just beautiful.  Having gone through her bookshelves, Ina came upon this volume of Emily's poems and gave it to me. 

What an appropriate gift as Ina knew that along with my friend, Barbara Dana, our Emily Dickinson show, “A Voice of Her Own” had just had its second reading here in New York City. 

In November 2011, “A Voice of Her Own” had its first reading for an invited audience. See my blog posting of February 24, 2012.  My ending statement was that the show was a work in progress and indeed over the past year, we have worked hard as a team….Kate Bushman, Barbara Dana, Martin Hennessy, Amelia Campbell Arkin and me.

Barbara revised the script numerous times, we read through the scripts after each revision, rehearsed songs, Martin wrote more and more wonderful incidental music that bound the show together. Kate, our director, made suggestions for the flow of the show and character development. Amelia joined our group to read the part of Emily so Barbara could be in the audience experiencing her own writing.

On Sunday, December 9, 2012, “A Voice of Her Own” had its second reading in the exact same rehearsal room as in November 2011. The invited audience included people who had attended one year earlier. In 90 short, fast moving minutes, Emily Dickinson’s life came alive from Barbara’s passionate script. So filled with the depth of Emily’s convictions about her writing, her observations of life and others, the performance soared with Amelia’s deep understanding of the ardent poet. Dialogue flowed into song flowed into dialogue without interruption and the incidental music underscored emotional passages binding the story together.

Touching the hearts of performers and audience members alike, Emily Dickinson was the star and the gift to all on that day. And, our show “A Voice of Her Own” continues to be a work in progress until our next reading in June 2013.

Sunday, December 23, 2012

The Singers of the Era

Having composed 150 art songs during her long career, Gena Branscombe’s vocal works were performed by renowned opera singers of her era who gloried in singing beautiful, romantic music. A famous person putting forth her music in concert meant audience members might seek her out, then purchase her sheet music!

In addition to the well-known singers, there were voice teachers, Broadway and Vaudeville performers, oratorio and recital specialists and even church choir members who promoted the expressive and lilting songs by Miss Branscombe.

During a number of our talk-backs after performances of “Life! Love! Song! A Visit with Gena Branscombe,” Martin and I have answered questions about Miss Branscombe’s life, family and music, our work together and much more. One of the questions that seems to recur is, “Who sang her songs during her lifetime? And, where did they perform them?” Now for the answer to those questions.

Recently I purchased a copy of her song, “The Morning Wind” and found on the back cover of the sheet music a list of sixteen of Gena’s songs with names of singers who had performed them.  Madame Frances Alda, Paul Althouse, David Bispham, Herbert Witherspoon and Lillian Nordica jumped out at me …all Metropolitan Opera stars.  Common during the early 20th century were cross country recital tours by famous singers  who appeared at local concert halls and opera houses.  Presenting a wide variety of French, German and Italian repertoire, these singers also included songs of living composers and Gena was one of them.

In David Bispham’s collection of music held at the New York Public Library for the Performing Arts is the sheet music for Gena’s song, “Serenade” inscribed to him. When I discovered this sheet music of “Serenade,” I made a copy and from it I learned the song and recorded it for my CD.  Mr. Bispham also performed “Hail Ye Tyme of Holiedayes” and “Sleep Then, Ah Sleep”.  Known for his commanding operatic performances throughout Europe and at the Metropolitan Opera, Mr. Bispham enjoyed the comfort of his own railway car taking him to his concert appearances.  How he and Gena met is a mystery yet audiences in concerts across the country heard him sing her songs!

How thrilling it must have been for Miss Branscombe to be an audience member when in 1908 soprano Lillian Nordica presented a recital in Seattle.  This great artist had taken the stage at Bayreuth, the Royal Opera and at the Metropolitan Opera and there she was singing the composer’s “Hail Bounteous May.”  Again, the same questions arise as to how they met, how did Gena’s song reach someone so famous and did they possibly remain in contact? 

A voice teacher’s impact on their students lives and repertoire can be amazing!  Tenor Paul Althouse performed works from Gounod to Wagner at all the major opera houses world-wide.  During the 1920’s he was renowned for his concerts and oratorio appearances.  When he retired in 1945, he taught such well-known singers as Richard Tucker, Eleanor Steber and Leopold Simoneau.  Among his many other students was soprano Mary Bothwell who presented recitals at the Hague in the Netherlands and Town Hall in New York City where she sang songs of Miss Branscombe’s.  Teacher and student were known for performing Gena’s “Three Mystic Ships.”

Two vaudeville performers, Llora Hoffman and Constance Purdy performed, “Heartsease” and “A Lovely Maiden Roaming” the latter which was dedicated to Gena’s nearby neighbor, soprano Gladys Buckhout. 

Peabody Conservatory educated and daughter of President Woodrow Wilson, Margaret Woodrow Wilson was an independent, talented and passionate woman of her era.  She was a suffragette and a famous concert singer. During the First World War she traveled around America performing to raise funds for the Red Cross.  With great courage she sang at the front of war-torn France giving her support to our troops.  She honored Gena by singing the song “The Morning Wind.”

Famous and not-so-famous singers have performed Gena’s beautiful, romantic songs.  How thrilled she must have been each time she was informed that her music was being presented in concert.  My hope is that there will be a resurgence of performances of her 150 art songs, not just by me, but by singers across the country!

Here are pictures of additional singer who performed Miss Branscombe’s songs