As we come to the end of Women’s
History Month 2017, for me it has been a month of discovering women composers
of the Romantic and Impressionist era. I
made it my goal to go to YouTube each day and find an unknown, to me, woman
composer.
I started by putting in the
name of French composer, Louise Farrenc (1804-1875) in the search area. I had known her name from my music history
classes. Several times I listened to her
Symphony #3 then went on to her Symphony #1 and chamber music. Over and over I kept asking myself why her
symphonies are not performed by all orchestras whether conservatory or
professional. These works are lyrical,
full of emotion and major pieces of music that should be performed.
YouTube then brought up composer Dora Pejačević (1885-1923), an Hungarian/Croatian composer. I listened to her Symphony #4 in F# Minor and her Piano Concerto in G Minor. Again, the question……….why are her works not performed? Her output of 106 compositions includes songs, piano pieces, chamber music and orchestral works. Beautiful romantic works draw the listener into her creative musical journey.
Next up, came the PianoConcerto of German Romantic composer, Emilie Mayer (1812-1883). What a surprise. She composed eight symphonies, chamber music,
lieder and concert overtures. Such
talent and again beautiful music. WHY? …..you
may finish the question.
A piano sonata written by
Valborg Aulin (1860-1928), a Swedish pianist and composer was on YouTube’s list. The strength and intensity of this sonata was
compelling. Along with her piano
compositions are lieder, organ works and string quartets.
As a friend of mine said about
YouTube and listening to all the wonderful performances available, you feel
guilty that you have not paid to either buy the CD, download the music or
attend a concert where these works are being performed. Yet, YouTube has, for me, become a learning
tool and one which I appreciate greatly.
My mission is to continue finding these unknown, to me, women composers
and listen, listen, listen.
Most important, I intend to
read more about these four women composers and champion their music as much as
I am able. Then, I must add a big thank
you to the musicologists and performers who found the scores to these women
composer’s works and recorded them. The time
and effort to do all that work is an act of love and dedication. THANK YOU!
There may be a day when the gender
neutral English word “composer” is just what it says. In the meantime - research women composers,
listen to their music, buy their music, perform their music, attend concerts of
their music and become an active advocate for women in music.