Women Conductors Break Some Barriers

 

The Vienna Philharmonic was founded in 1844.  For the first time in their 180 years of male exclusivity, the Vienna Philharmonic has invited a woman to conduct a subscription concert.  180 years of misogyny! 

Breaking that 180 year record, Lithuanian born Mirga Gražinyte-Tyla will make her debut with the orchestra on May 3, 2025.   She is the former music director of the City of Birmingham Symphony, has conducted at the Bavarian State Opera and the Proms.  She is the first female conductor to sign an exclusive contract with Deutsche Grammophon.   

Another hurdle for women conductors was made at the Metropolitan Opera.  Since the 1880s the Metropolitan Opera has had only four women conductors grace their podium including Sarah Caldwell, Simone Young, Jane Glover and Susanna Mälkki.

On April 19^th Oksana Lyniv conducted Puccini’s “Turandot,” April 20^th Speranza Scappucci conducted Puccini’s “La Rodine,” April 23^rd saw Marin Alsop conduct the Met premiere of John Adams’ “El Niño” and Xian Zhang conducted “Madama Butterfly” on April 26^th.  Four women conductors, in just one week, broke through the Metropolitan Opera’s male dominated podium. 

 

The creative process of making music at the highest levels is a lifetime of work, study and fortitude.  We have now witnessed nine accomplished conductors make history by breaking down barriers that have existed for over 100 years.

My question has always been, “Why do we not have a woman conductor as a Music Director of a major symphony orchestra or opera house?”  WHY?  It’s time to tear down the misogynistic barriers around the conductor’s podium.  The word “conductor” has no gender. 

Why don't we talk about Arthur P. Schmidt?

 

Over the years that I have written my blog, Arthur P. Schmidt, publisher has been the topic of three of my postings.  His company, The Arthur P. Schmidt Co. of Boston, Leipzig and New York, was a premiere music publishing company of the era.  As I have said in my previous posts, Mr. Schmidt promoted American composers and in particular American women composers.  He was a person of vision, of musical integrity with his belief in our nation’s composers.  BRAVO, Mr. Schmidt.

Recently an October 2017 blog posting titled, “Why don’t we talk about Arthur P. Schmidt”? came to my attention.  The blog was written by a student at St. Olaf  College in Minnesota who was taking the course: Music 345: Race, Identity, and Representation in American Music. 

 

What struck me about this posting was the sense of discovery, observation, understanding of the music world in the world of business, conclusions made and a new awareness of the important music publishing person, Arthur P. Schmidt. 

https://pages.stolaf.edu/americanmusic/2017/10/23/why-dont-we-talk-about-arthur-p-schmidt/

Siriana, the blog author, has written a post that has direct effect on the understanding of our country’s music publishing industry during the late 19^th and into the mid 20^th century.  Required reading……indeed.

 Thank you Siriana.

#BringingBackBranscombe